Before the labels go up

Wall texts want certainty. Cullen’s panels refuse it. The night before Harbour Light opened I cut two paragraphs that tried to explain the grey as weather reportage.

What stayed: a short note on staying in the mix until the colour shifted. Readers who support the writing get that edit trail now; everyone else in three days, after the opening weekend has had its say.

If the label is longer than the looking, cut the label.